Wherever one might be in declarations of belief or disbelief, God is so often not the God these declarations expect, and often it is shocking to discover it. God comes near and offends our sense of understanding; God affronts ategories and overturns our sense of familiarity. Jesus of Nazareth does the same—indeed, quite particularly so in the language of the parables. With his stories, he offends both the believing and unbelieving, his disciples, the scribes, and crowds alike. With the same stories, he continues to jar hearers awake and move followers near.
The Greek word for parable literally means “a placing beside.” It is a comparison of one thing beside another, an association of pictures that teaches. In a wider sense, the parable is a figurative discourse, a riddle full of light and shadows. In his parabolic language, Jesus vividly lays a full and layered picture beside us: The kingdom of heaven is like a man who sowed good seed; it is like yeast, or a mustard seed, or a master who prepared a great banquet. His comparisons often offer simple scenes or everyday images, and yet they are bafflingly difficult. How on earth is the kingdom of heaven like a seed?
We are pulled into a parable on multiple levels. At the narrative level, there are countless nuances and peculiarities that compel us to listen and question. We react to the characters before us—to the foolish prodigal son and what seems a foolishly loving father, to the master of a great banquet and the guests that cruelly shun him. But we also react to the character of God on some level, his kingdom and its economy. Just what kind of a kingdom is this? How is this forgiving, welcoming father like God? How am I like this wasteful son or this frustrated older brother? And how, then, does this image call me to live? We are jarred awake by a story; but so, we are moved to reckon with its implications.