Dale Henderson gives cello concerts in New York City subway stations because he fears the day when classical music will be no more. He plays for free, focusing primarily on Bach Solo Cello Suites because their “power and beauty unfailingly inspire great appreciation, joy and deep emotion in those who hear them.”(1) Some commuters stop and stare, curious or captivated, many having never heard a cello or Bach concerto before. For Henderson, the music is an offering of something meaningful, seeds for future generations of classical music admirers who would not otherwise know it, beauty well worth lugging his heavy cello down into the subways to protect.
It is not always easy to talk about beauty without a minefield of objections or at best complicating list of qualifiers. Its modern place in the “eye of the beholder” gives it a tenuous feel at best. It’s ancient place as a perfect and ancient ideal is equally abstract. While Henderson describes a world without classical music as soul-less, others may not miss it so much. And the contrast of beauty in a broken and breaking world makes its distinctive encounters increasingly stand out.
Continue reading Ravi Zacharias Ministry – Accounting for Beauty