Throughout history, there’s been no shortage of superlatives showered on Michelangelo’s stunning statue of David, sling in hand, ready to take on Goliath. Giorgio Vasari, a 16th century artist and historian said this:
“It cannot be denied that this work has carried off the palm from all other statues, modern or ancient, Greek or Latin; no other artwork is equal to it in any respect, with such just proportion, beauty and excellence did Michelangelo finish it.”
And if you’re one of the millions of people who’ve travelled to Florence, Italy, and have seen the 14-foot statue in person, you probably agree.
More than any other work of art, except perhaps Michelangelo’s “The Creation of Adam” on the ceiling of the Sistine Chapel, the “David” statue captures the image and essence of Man. Confident, determined, physically beautiful and strong, called to a noble purpose: to do battle with evil in the service of the God in Whose image we are made.
And yet news from Florence reveals that “David” reflects humanity in another way: He is flawed. To be more specific, there are cracks in his ankles; cracks that could, as the New York Times reports, “bring down the world’s most perfect statue.”
As Sam Anderson writes, “The seed of the problem is a tiny imperfection in the statue’s design. The center of gravity in the base doesn’t align with the center of gravity in the figure itself.” If the statue is perfectly upright and level, all is well. But even the tiniest tilt places enormous stress on the six-ton statue’s “narrowest part: his ankles.”
And, for what Anderson calls “a very long time,” “David” did lean slightly, which created the hairline cracks that threaten the statue.
You’d think making sure the statue stands perfectly upright would be a simple enough engineering feat, but there are a couple of problems. The first is bureaucratic inertia and confusion on the part of the Italian government. And the second: earthquakes. If Florence gets hit by one, it could be “Arrivederci, David.”
So here we have the crown jewel of creativity, art, beauty, and sculpture, and yet he’s flawed, fragile, in need of restoration, poised on the verge of catastrophe.
Just like we are.
Continue reading BreakPoint – Man and Michelangelo’s ‘David’: Fragile Masterpieces