Science fiction novelist Kurt Vonnegut once said of one of his most recurrent characters, “Trout was the only character I ever created who had enough imagination to suspect that he might be the creation of another human being. He had spoken of this possibility several times to his parakeet. He had said, for instance, ‘Honest to God, Bill, the way things are going, all I can think of is that I’m a character in a book by somebody who wants to write about somebody who suffers all the time.”(1) In this scene from the book Breakfast of Champions, Kilgore Trout’s haunting suspicion is unveiled before him. Sitting content at a bar, Kilgore is suddenly overwhelmed by someone or something that has entered the room. Beginning to sweat, he becomes uncomfortably aware of a presence disturbingly greater than himself.
The author himself, Kurt Vonnegut, has stepped beyond the role of narrator and into the book itself, and the effect is as bizarre for Kilgore as it is for the readers. When the author of the book steps into the novel, fiction is lost within a new reality. Kilgore senses the world as he knows it collapsing. In fact, this was the author’s intent. Vonnegut has placed himself in Kilgore’s world for no other reason than to explain the meaninglessness of Kilgore’s life. He came to explain to Kilgore face to face that the very tiresome life he has led was, in fact, all due to the pen and whims of an author who made it all up for his own sake. In this twisted ending, no doubt illustrative of Vonnegut’s own humanism, Kilgore is forced to conclude that apart from the imagination of the author he does not actually exist. Ironically, he also must come to terms with the fact that it is because of the author that his very existence has been ridiculous.
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