G.K. Chesterton took the word “prolific” to a level that, as a writer, simply makes me feel tired. In his lifetime, Chesterton authored over one hundred books and contributed to two hundred others. He penned hundreds of poems, five plays, five novels, and some two hundred short stories, including the popular Father Brown detective series. He wrote over four thousand newspaper essays, including thirty years worth of weekly columns for The Illustrated London News, and thirteen years of weekly columns for The Daily News. He also edited his own newspaper, G.K.’s Weekly.
As one can easily imagine after such an inventory, G.K. Chesterton was always writing—wherever he found himself, and with whatever he could find to write on. So, in the tearoom he scribbled on napkins. On the train, in front of a bank teller, or in the middle of a lecture, he was known to jot hurriedly in a notebook, or even on the cuff of his sleeve.
Chesterton’s eccentric approach to writing, in fact, matched his eccentric approach to life in general. His public image was one out of a Shakespearean comedy. If he were not recognized in the streets of London by the flowing black cape and the wide brimmed top hat he always wore, he was given away instantly by the clamoring of the swordstick he always carried—for nothing more than the romantic notion that he might one day find himself caught up in some adventure where defending himself might become necessary.
He rarely knew, from hour to hour, where he was or where he was supposed to be, what appointment he was to be keeping, or lecture he was to be giving. The story is often told of the time he telegraphed his wife with the note, “Am at Market Harborough. Where ought I to be?” His faithful wife, Frances, wired back, “Home,” knowing it would be most promising for all involved if she could physically point him in the right direction. Chesterton seemed to live out one of his own clever paradoxes: “One can sometimes do good by being the right person in the wrong place.”
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