Flannery O’Connor could not explain her fascination with peacocks. But she loved them. In fact, the southern writer of short stories lived on a farm where she raised near a hundred of them. She adopted her first peacock at the age of twenty-five, around the time she was diagnosed with a debilitating disease, and she could not stop looking at him. It was for her a mysterious sign of life, and an image that silenced her. In an essay focusing on her fascination, she describes the bird’s transfiguration from fledgling to finery: “[T]he peacock starts life with an inauspicious appearance….the color of those large objectionable moths that flutter about light bulbs on summer nights.” But after two years, when the bird has fully attained its pattern, “for the rest of his life this chicken will act as if he designed it himself… With his tail spread, he inspires a range of emotions, but I have yet to hear laughter. The usual reaction is silence, at least for a time.”(1)
It is not without coincidence that O’Connor used the peacock as a symbol for the transfigured Christ in many of her stories. Often cited is her use of the bird in The Displaced Person. In this story, the peacock is a main character of sorts, functioning for everyone else in the story as something of a spiritual test. Some never notice him; another sees the bird only as “another mouth to feed.” Still another liked to have peacocks around simply to signify his wealth; another is altogether besieged by the peacock’s splendor. With eyes locked on the regal bird poised in color and majesty, he says, overwhelmed, “Christ will come like that.”(2)
I appreciate stories that remind me to keep my eyes opened for all that can be seen but can just as easily be missed. Encounters with the sacred can be like this. Because ancient Greeks held the belief that the peacock’s flesh did not decay after death, the peacock became a symbol of Christ and resurrection in the early church. Many early Christian paintings and mosaics used the peacock imagery as a means of depicting the resurrected Christ or resurrection itself—namely, this new category of creation, the new way of seeing the world that the death and resurrection of Jesus necessitates. The many-splendored disruption that the resurrection ushered into the world is as crucial to take in as the historical evidences of the event. The promise of the fully human resurrected Christ to our own humanity is almost too much to take into our daily moments of running to and fro. And yet, here resurrection stands poised in all its incomprehensible finery, bidding us to consider what it might mean for this very moment, for this afternoon, for this community, for this relationship, for this death. Silence isn’t the worst reaction. Surprise, humility, gratitude are others.
Continue reading Ravi Zacharias Ministry – Many-Splendored Afternoon