When the reigning fifteenth century Japanese shogun Ashikaga Yoshimasa broke his favorite Chinese tea bowl, the distraught military dictator sent the antique pieces of pottery back to China to be repaired. The bowl was returned to him, repaired using a technique commonly practiced at the time. Metal staples fused the pieces together in a manner that assured the beloved bowl’s function, but the bowl was never the same. In Yoshimasa’s mind, the object was broken first by the fracture and then again by the mending. Disappointed, he called Japanese craftsmen to come up with another way.
What was born was the art of kintsugi, which expresses the Japanese aesthetic philosophy of wabi-sabi, embracing the flawed and imperfect, revealing beauty and strength in what has been broken. Kintsugi literally means golden connection or golden jointing. Broken pottery fragments are fused together using lacquer and gold. The end result is still repair in the deepest sense, but the breakage itself is not erased; in fact, it becomes all the more obvious. Rather than concealing the flaws, cracks are accentuated and highlighted. The repair remains the object of admiration, but the breakage is seen as a part of it, bestowing more value, emboldening strength, esteeming beauty.
Continue reading Ravi Zacharias Ministry – Slain and Standing