“God is dead,” declares Nietzsche’s madman in his oft-quoted passage from The Gay Science. Though not the first to make the declaration, Nietzsche’s philosophical candor and desperate rhetoric unquestionably attribute to its familiarity. In graphic brushstrokes, the parable describes a crime scene:

“The madman jumped into their midst and pierced them with his eyes. ‘Whither is God,’ he cried; ‘I will tell you. We have killed him—you and I! All of us are his murderers…Do we not feel the breath of empty space? Has it not become colder?…Do we smell nothing as yet of the divine decomposition? Gods, too, decompose. God is dead. God remains dead. And we have killed him.”(1)

Nietzsche’s atheism, unlike many contemporary atheistic mantras, was not simply rhetoric and angry words. He recognized that the death of God, even if only the death of an idol, introduced a significant crisis. He understood the critical role of the Christian story to the very underpinnings of European philosophy, history, and culture, and so understood that God’s death meant that a total—and painful—transformation of reality must occur. If God has died, if God is dead in the sense that God is no longer of use to us, then ours is a world in peril, he reasoned, for everything must change. Our typical means of thought and life no longer make sense; the very structures for evaluating everything have become unhinged. For Nietzsche, a world that considers itself free from God is a world that must suffer the disruptive effects of that iconoclasm.

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