On February 23, 1685, the man whose music would forever inspire the world was born in Halle, Germany—ironically, to parents who would have seen him become a lawyer. But George Frideric Handel would quickly grow to be a famed composer and beloved musician.
By the time he reached his twenties, Handel was the talk of all England and Italy. Queen Anne had him commissioned as official composer of music for state occasions. Seats at his performances were often fought over, and his fame was quickly spreading throughout the world.
But the glory soon passed. Audiences dropped off; his popularity was eclipsed by newer talent. Financial ruin, failed productions, and festering stress took their toll on the musical giant. Weary from the strain of overwork and disappointment, Handel suffered an attack of a paralytic disorder that left his right arm crippled. At 52, the once famed musician was now seen as invalid and obsolete. “Handel’s great days are over,” wrote Frederick the Great, “his inspiration is exhausted.”
But sounds of the harpsichord soon reported otherwise. Not long after Handel withdrew to recuperate, his fingers were moved to play again and the artist set out to compose. Nonetheless, his next two operas were altogether unsuccessful. A charity concert he had promised to conduct in Dublin had become his only prospect for work. Yet, given a manuscript that included the opening lines from Isaiah 40, “Comfort ye, comfort ye my people,” Handel was stirred to write.
On August 22, 1741, at the lowest ebb of his career, George Handel enclosed himself in a room and set to composing Messiah. The entire oratorio was sketched and scored within three weeks. And on April 13th, 1742, the first audience in history resounded in applause to the stirring music of Messiah, conducted by Handel himself.
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